New Print on Etsy: “The Cat in the Highest Tower” Pen and Ink Illustration

Remember this illustration?

Pen and ink illustration of a cat watching birds from the top window of a CRAZY tower house, by Jacque Oman Clinton

“The Cat in the Highest Tower”, pen and ink

It’s one of my favorites from the last few months. It’s fun to imagine what I’d use all the rooms of that house for. (It’s NOT so fun to imagine vacuuming all the stairs).

Well, I finally got around to making it into a print, which is available now over in my Etsy shop! It comes in two sizes, 8×10″ or 5×7″ (though I must say, the 8×10″ looks particularly superb). So please, head over to my shop and buy one for yourself and all your favorite friends! (I have one hanging in my dining room, now. It makes me smile every time I see it). "The Cat in the Highest Tower" art print from illustrator Jacque Oman ClintonThanks as always for stopping by and showing your support. Happy May, my friends!

Related posts:

Update: Spring Art Print Available on Etsy Now!

I told you I’d let you know when prints were available…

"Fresh Hope of Spring" art print available on Etsy. Illustration by Jacque Oman ClintonAnd they are now! So head over to my Etsy shop and get one in time for Easter!

Related posts:

Illustrated Places: Waikiki Beach, Norfolk, Saratoga, and Charleston

Hey! Long time no see! Spring is in the air (as long as you ignore the dump of snow we got yesterday and the toothy icicles that are dangling from my car’s bumper) and I’m thawed out and ready to ease back into my routine of spewing hot air at you here on the blog.

Where have I been, you ask? All over! In places sunny and warm! I spent January and February working on a commission that had me traveling (okay okay, I wasn’t actually traveling…it was more of a mental thing) to Hawaii, South Carolina, New York, and Virginia. I was working on a project for a dear friend, who, back in December, asked me to illustrate each of the four places that her boyfriend lived while he was serving in the Navy. She wanted to surprise him with the set when he got out of the Navy in March.

So after the December holidays were over, I got to work on the project. It began with a lot of fits and starts as I worked out my ideas and tried to settle down on a style. (Note to self: don’t get carried away getting “inspired” on Pinterest and the Googles. If you look at TOO MUCH art by TOO MANY wonderful people, your brain will short-circuit and you’ll lose the ground beneath you. You may love everyone else’s artistic style, but in the end, your work always ends up looking like your own. Don’t fall into the trap of brainstorm overload! You’ll get washed away in the surge of “possibilities”!)

Things also stagnated for a couple weeks when I got the flu. But eventually –after enough trial-and-error, mistakes and re-starts , bowls of soup and boxes of tissues — I settled down and found my groove.

I finished the set at the end of February, just in time to mail before March 3rd. Since they are now safely in the hands of my friend and her boyfriend, I can share them with you without ruining any surprises.

So here they are! 4 ink and watercolor illustrations (with hand drawn logos, I might add) of Waikiki Beach, HI; Saratoga, NY; Norfolk, VA; and Charleston, SC. Enjoy!

commissioned watercolor and ink illustration of Waikiki Beach by Jacque Oman Clinton

Waikiki Beach, Hawaii

ink and watercolor illustration of the horse tracks at Saratoga Springs, New York, by Jacque Oman Clinton

Saratoga. NY

ink and watercolor illustration of "the Lone Soldier" statue in Norfolk, VA. By Jacque Oman Clinton

Norfolk, VA

ink and watercolor illustration of Rainbow Row in Charleston, SC, by Jacque Oman Clinton

Charleston, SC

Related posts:

New Prints on Etsy! Friendly Dogs, Cozy Birds, Oh my!

My new studio is up and running! Which means I am able, once again, to make prints!

Looking for things to decorate your home and keep your spirits up this winter? Maybe these cozy birds will do the trick."Fall Fashion Line" Sparrows on Wire illustration print by Jacque Oman Clinton

Or perhaps you’d rather hang this seriously adorable dachshund on your wall so he can bid you “Good Day” each time you pass by?"Dachshund Greetings" illustration print by Jacque Oman Clinton

Head over to my Etsy shop to get ’em while they’re fresh!Etsy prints featuring illustrations by Jacque Oman Clinton

In other news, I thought I’d share a few helpful things that I came across in my listening/reading this week. Each expresses sentiments that I agree with and sheds light on issues that I think about often. Hearing other people’s insight on familiar themes can be so clarifying and reassuring to the psyche! Thank goodness other people are more articulate than I! Anyway, these 3 things stood out to me this week so I’m passing them along:

  1. Author/artist Austin Kleon wrote a little piece on his blog titled The Pram in the Hall. It’s about being an artist AND a good parent/person; how important it is to find good role models; and how our every day responsibilities/routines contribute to rather than detract from our artistic endeavors. “Art is for life, not the other way around.” So true, so true. Check it out! (Disclaimer: he curses once or twice).
  2. NPR interviewed illustrator and artist Christoph Niemann about his “Sunday Sketches“. I encourage you to listen to the audio version of the interview to get the full effect (it’s not very long). He talks about the unknowns in the art-making process, the inevitability of creative discomfort, and the importance of not letting social media dictate the art you make. At the very end, he also talks about how frustrating it can be when people don’t recognize how much work goes into making illustrations, a fact that he dislikes but nevertheless accepts because it’s just part of the job. “You can’t have people like the work that you create and also be in awe of how hard it is to do it,” he says. Here’s an excerpt:

    “People say: ‘Oh, you’re so talented. I could never do that.’ I always feel like: No. When you listen to a pianist playing a Beethoven sonata … you would never say: Oh, I couldn’t do that [because of talent. It’s] because, well, you didn’t sit down for 10,000 hours and practice. It’s all about sitting down and the time you spend at your desk.

  3. And finally, in this week’s episode of Note to Self (one of my favorite podcasts), host Manoush Zomorodi interviewed spiritual advisor and former Google employee  Chade-Meng Tan about mindfulness and how it can be used to cultivate joy, peace, and compassion. It’s got lots of helpful tidbits — like how we can turn the aforementioned virtues into habits and how we shouldn’t shun technology, but instead learn to use it wisely. Also….listening to this episode just makes you feel good! So head over there and give it a try. One of my favorite things that he said is about how mindfulness opens up our capacity to be creative:

    “An analogy that I’ll give is: if you drop a pebble in choppy waters, you don’t see ripples very well, but if that water is completely calm, you drop pebbles in it, you can see all the beautiful ripples and how they interact, and then you can see the ideas very clearly, you can see hidden directions very clearly, and you say “oh wait a minute, I never thought of that before!”

I hope you enjoy the links. If you end up checking them out, feel free to comment below with your thoughts! I’d love to know what you think.

Have a happy and healthy week, and remember, whatever ends up happening with the presidential election on Tuesday, at least we have this: the Cubs won the 2016 World Series! Woohoo!

Related posts:

Art Show Follow Up: Making Faith a Habit & Other Things I Learned

As you might remember, last Thursday, I participated as a featured artist at “REVEAL”, RAW Boston’s summer showcase for artists, designers, photographers, stylists, and musicians. I’m happy to report that it went well and that it was worth all the effort I put in to my preparations for it. And now…it’s over, which means I can get back to MAKING stuff! (I’m very excited about that). But since the show experience warrants some reflection, please bear with me as I devote just one more post to talking a bit (okay, maybe a lot) about it.

my booth

my booth

racks of prints for sale

racks of prints for sale

So…the showcase was a great time! I felt good about the work I showed and how I represented myself. I had the pleasure of talking to other artists and exchanging valuable insights. (I have to say, it felt particularly good to be able to pass on some helpful tips to people who are going through things that I have gone through myself! Turns out I’ve learned a few things over the years!) The whole experience – from the weeks spent in preparation to the final take-down – was full of personal growth and learning.

Here are some of the things I learned:

  1. Anxiety and fear are inevitable, but I can make room for them without losing sight of the larger picture. Okay, I know it wasn’t the Emmys or anything, but even so, I was very nervous about the event. I felt angsty from the very beginning, when I found out that I would be participating. My nervousness peaked the day before the show, when I had to repeatedly tell myself that “I know I feel like I’m going to die right now, but it is just anxiety, and I don’t have to freak out about it.” During the weeks before the show, this anxiety popped up a lot, but instead of fighting against it (and feeling bad about it, wishing it would go away, and generally feeling like a pathetic speck of a person) I decided to accept it as another part of the game. Whenever I felt stress pressing down, I reminded myself that there were infinite ways that the show could play out, and since I have no ability to know or control the future, I would just do what I thought was best, have faith, and keep my mind open to the possibility that good things might come out of it. And surprisingly, the day OF the event, I felt fine! For one thing, I had the comfort of knowing that I was well prepared. But also, my mind was in a good place after spending so many weeks practicing faith, openness, and positivity.
  2. People are shy. We are all insecure about something. It’s a funny dynamic — the insecure artist and the insecure viewer, side by side, feeling awkward. I think people are afraid to talk to artists about their work because they don’t want to “say the wrong thing” or sound like they “don’t know anything about art”. But I’m not going to judge you for “not getting it” or for never taking some dumb art history class. And I don’t make art with the expectation that you’ll see it the way I see it. I want to hear what it is that you see! — how does it make you feel? What stories does it conjure up, what does it remind you of? I LOVE it when people tell me what my work means to them. It fuels the drive to keep making stuff. It satisfies the “longing-for-connection” aspect of being creative. And it reveals amazing things about the diversity of human experience.
  3. And artists are shy, too. Instinctually, I don’t want to bother people. I don’t want to impose myself on them while they look at my work, or dare to assume that they find it engaging in any way. But I suspect that, more often than not, people appreciate hearing the artist tell the story behind their work, even when the story isn’t linear or…much of a “story” at all. (i.e. “I did this before getting dressed to go to my friend’s wedding…I needed to do something creative and it just sort of came to me. I started drawing a whale, because whales need to be drawn, and then of course I realized it should be wearing a sweater.”) I like to see the humanness of other people’s artwork. It helps me feel connected to the work and to the artist. Showing viewers that the work is a process — that it’s a living thing — opens doors for communication. Then the artwork isn’t just a final “product”, but instead acts as a jumping off point for a richer connection. Art is made with time, energy, brains, and countless unexpected external influences. It’s a very human expression of divergent thinking and the way we make associations in our minds. When people understand that, it makes art less “intimidating”, less inaccessible. It’s all just another opportunity for connection!
  4. People really like dogs. My illustrated dog prints are always a big hit, and they are the most frequently bought items in my Etsy store. People always comment on them. But surprisingly (and I’m okay with this!), no one bought any dog prints at this show. Dogs are a personal thing, I guess. Everyone wanted it to be THEIR dog.
  5. My experiences have taught me lessons that are worth passing on to other artists! For example: Finding a good way to make prints of their artwork seems to be a VERY common struggle for artists. Which company should you use? How can you ensure that the print quality is excellent? How much are you willing to PAY to have prints made? I make all my prints myself. I am so happy with my Canon Pixma printer – it is getting old now, but it does a MARVELOUS job making high quality prints that I’ve been able to sell all over the place. Sure it took a lot of trouble-shooting (and a lot of frustration!) to get the print quality just right, and I had to test a lot of different papers before I found one I liked, but I eventually established a system for making prints that I am proud of. Now, I have no problem telling people that it is worth it to invest in a printer and good paper and to take the time to learn to make prints in-house.
  6. The human digestive system is very…emotional. I had no appetite the whole day of the show, and had to force myself to eat regular meals so I wouldn’t pass out at the event. For dinner before the show, I made sure to eat the blandest of sandwiches (a tough thing, because I love me some SPICE), but I STILL got indigestion! My mom saved the night with the emergency Rolaids she found in her purse (she’s my hero). And then, of course, as soon as I got home and put on my PJ’s, I found that I was starving! It was the sweet, sweet release of tension leaving my body, and so…I celebrated with ice cream and chips 🙂
  7. I’m not the only person who needs to retreat and recharge. The day was long – set up started at 1 and the event wasn’t until 7 PM. I certainly wasn’t the only artist there who needed to take 5 minutes to sit in the car and regroup before the show.
  8. That one should not be in such haste to pack up and beat the traffic at the end of the show that one leaves important things behind. Bye-bye extension cords. Bye-bye print racks. (On the other hand, if that’s the hardest lesson I had to learn that night – not to leave stuff behind — then all-in-all, I’d say it went quite well!)
  9. And finally, I was reminded of this very humbling and mind-blowing truth: I am tremendously blessed to be in the situation that I am in. I’ve had the support of my family, my husband, and my closest friends for my entire life. No one (other than the occasional stranger) has ever tried to convince me not to pursue art. When I have my doubts, my parents and my husband are the ones who tell me to have faith and keep going. They’ve always given me the space, time, and freedom to create. They’ve been patient and understanding. They’ve helped me with projects, shows, buying materials, and growing a business. They’ve prodded me to challenge and stretch myself and to take the next step when it’s been time to do so. They’ve spread the word to others, and they’ve helped open doors. They’ve been so generous – I’ve never had to live off of government cheese or go it alone. Without them, I wouldn’t be doing this. It takes a village, as they say.

To my husband, and to my parents: I’m sorry that all I can ever do is say thank you, and that no matter how many times I say it, it will never be enough. Thank you, thank you, thank you.

And with that, I bid you, good day. Thanks to everyone who came out to the show. It meant a lot to see you there and have your support!

Oh, and Happy September, yo.

"Hey Shorty" sunflower illustration

a sunflower sketch for September

 

 

Related posts:

“Acorns and Twigs” Watercolor and Ink Painting

Acorns and Twigs

Back in September, I went out one morning with my camera to look for the first signs of Fall. The leaves hadn’t begun to change yet — it still pretty much looked like summer (except that the playgrounds were empty because everyone went back to school). There were no sights, yet, that gave me that “mind-blown-by-fall’s-intensity” feeling that I had hoped to find.

So I decided to swap out my eyeballs for a pair more attuned to spotting the subtle things. Then I looked down and lo, I found the beginning of fall’s bounty, scattered everywhere beneath my feet.

Here’s my watercolor and ink drawing/painting that came out of that experience. It’s my celebration of the unexpected beauty I found on a dirt path one morning in September.

(And hey, if you want to celebrate, too, you can buy this at Society 6).

Related posts: